Sitting in with the editors, and looking at the different scenes, and seeing where we could do some different ideas so it’s not all wall to wall hip-hop. Sometimes I’ll sample what I have in the room. Some song ideas came from Levinson’s scripts, specific suggestions on the page that managed to make their way through the production process. With Drake as an executive producer, did you get any input from his side, or did he assist in any way with the direction of the soundtrack? It’s hard work, but it paid off. At the beginning of every show I work on, I start a general inspiration playlist and that playlist started in September. It's so early in the process that we don't know exactly what the tone of the show is going to be, or the themes that are going to need music. She has worked in sync licensing now for over a decade. Aside from being a striking visual metaphor, Labrinth saw it as the perfect chance to represent that dissonance in music form, too. Make a separate playlist for each student and pick from a giant soup of songs as each party or late-night battle with anxiety demands. I’m just I’m really sad that we’re not going to be able to do it again for a while,” Malone said. Lolo Zouai, she's a new artist that we have in the show, in 106, which I'm really excited about, so yeah, there's also, I have so many new artists that I'm excited about but there is a limit to how many songs we have in the show. Last summer, the first season of Euphoria took America by storm, and audiences couldn’t get enough. What kind of challenges did you face with this soundtrack? Ask questions and download or stream the entire soundtrack on Spotify, YouTube, iTunes, & Amazon. In episode two, I love the Air Supply that we put in. Rather than refine an album’s worth of songs down to its purest form, the process of making the show required him to trust his instincts and let his first impressions be a guide in a way he might not have otherwise. But this time, the extremes feel even more extreme, the vaping adolescent byproduct of a generation tranquilized by cell phones and mood stabilizers since birth. So there's serendipitously some songs that Sam scripted in, some of them were mood placeholders, and some of them were songs that we definitely wanted to get stuff that Sam was listening to when he wrote it. And I can turn those drums into a massive timpani or a Taiko sound if I wanted to. “I’m so excited to dig into Season 2 because I’m ready. And wherever they’re set, I was just recording the whole room while I’m playing the tambourine or playing drums. They did the pilot before I came on board and we had to go through and replace a lot of songs for budget and clearance reasons. Its songs draw from different eras and styles. Euphoria Music Supervisor Jen Malone Gives a Sh*t By Ari's Take. Without spoiling anything, can you kind of tease out how this soundtrack is going to progress over the season? Every single day. You kind of get a big playlist and just drop everything in it? I work best when I see pictures, so if they're at a party or a club, just show me a picture of the club and then I can kind of get it, like what music would work there. It came from a structure born more of mood than necessity, with a giant collaborative playlist private to the show’s creative team — including series creator Sam Levinson — becoming a catch-all guide to what the show could sound like. The pilot alone whirls tracks from Beyoncé, Lil Dude, Megan Thee Stallion, Migos, Jamie xx, A$AP Ferg, and Future alongside oldies from Andy Williams and Jim Reeves into a sonic barrage that feels right on time. On top of the show’s […] ‘Euphoria’: The Musical Magic That Came from Following What Felt Just Right From Labrinth's score to music supervisor Jen Malone's hunt for era-spanning songs, the HBO show … “In Episode 6, the Halloween episode, that had so much music and it all took place at a party. It gets a beautiful scene of Rue biking and the lighting and the camera work — it's amazing. And then I would send it to [Sam] to be like, ‘Oh bro, what do you think? More about Euphoria at: Shows nominations . I’ll put someone else singing.’ And he was like, ‘No, no, no, you’re gonna sing through this score. Very serendipitously, I met Dave Jordan, who is the music supervisor for all the Marvel films, and I told him I wanted to intern for him.' But that isn't all the two have in common: they also share a heavy, poignant mood and equally excellent soundtracks, thanks to British composer Labrinth … In Euphoria, music can seem as much a driving force as the HBO drama's moody color palette and propulsive cinematography. I was a little bit older, and I knew that all the interns were going to be college kids but you know you have to throw away your ego and I knew that I would learn and meet people. Those kind of emotional adjustments were also on display in the show’s party scenes. Including the music. That’s what our character has given me.’ And then I would put a vintage 1970s ARP 2600 through that delay, and then some Valhalla reverb over it and just experiment and see what lifted what I was visually seeing.”. At the end of the summer, I knew that there wasn't going to be a job there for me so I was on an email newsgroup of women in the music industry and someone posted that MTV was looking for interns in their supervision department. There's some very unexpected songs that are in scenes that you wouldn't really think of and I think it’s just going to keep surprising the audience with the music and also just continuing to expose some of the up-and-coming artists to a new audience. Through the eyes of one main character, the viewer gets to see a group of high school students dealing with all the challenges of modern teenage life. Then I saw the movie Iron Man and the music supervisor credit rolled by and I was like, Music supervisor... OK, that’s what I want to do. “It’s very much emotional and feeling-based, like with a lot of the stuff I do. The shifting nature of TV refinement meant that it was never one clear-cut task after another. “Euphoria” Season 1 is available to stream on HBO Max. Having the Jozzy song when we first meet Jules in Episode 1, and then we had Rue listening to ‘Malamente,’ but when they were together in Episode 8, we had the Solange song playing,” Malone said in an interview with IndieWire. The best part of our job is when we when we get to introduce a song that’s great to a new audience or bring a catalog-type song to a new generation as well.”. Coupled with that spirit powering the vision of the show, “Euphoria” also benefited from not being afraid to follow what’s working, even if it’s unexpected. I’m mentally prepared for this one. We knew that there was going to be a lot of hip hop. “The song ‘Love Surrounds You’ by Ramsey, I got an email from the manager that said the song was holding steady after two years of release of three to five thousand streams a month. For “Malcolm & Marie,” Perez worked with his “Euphoria” music team, which includes music supervisor Jen Malone, composer (and hit singer-songwriter) Labrinth, and … Malone told Variety that she gets excited about lesser known artists getting exposure on Euphoria, “It’s kind of like when I was a publicist: I got to wake up every day and talk about my favorite bands and introduce them to people. I just follow a lot of different people — whether they're managers or just general industry people. We caught up … Euphoria Music Supervisor Jen Malone Gives a Sh*t. Today's episode is with superstar music supervisor Jen Malone. That comes across in the work of the show’s composer, Labrinth (the stage name of the London-based musician Timothy Lee McKenzie). We need this,'” Labrinth said. 'Judas and the Black Messiah': How Shaka King Zeroed in on Black Panther Fred Hampton, In 'Supernova,' Stanley Tucci and Colin Firth's 20-Year Friendship Is What You See Onscreen, 'House of the Dragon': Everything You Need to Know About HBO's Upcoming Series. For music supervisor Jen Malone, searching for songs that would be a good fit for “Euphoria” wasn’t a regimented process. Because that’s kind of the way I work as a producer. For a show that doesn’t look like anything else on TV, “Euphoria” still has a solid foundation. Even if someone’s never given a class presentation on very specific photo etiquette, there’s enough in Rue’s and Jules’ and Kat’s stories to latch on to. I've been a fan of Yung Baby Tate for a while, same with Megan The Stallion, I was really excited. That’s all the doing of Jen Malone, the show’s music supervisor who’s responsible for curating and licensing each track you hear. “A lot of the elements that came were just raw energy and very impulsive in terms of approach,” Labrinth said. Sundance Minus Park City: Why This Year’s Virtual Festival Is Still a Big Deal, How Tom Hanks’ Inauguration Special Could Influence the Oscar Ceremony, How ‘Gunda’ Captured the Hypnotic Images and Vivid Sounds of a Pig’s Life — Toolkit, The Art of ‘Bloody Nose, Empty Pockets’ Is Not Its Manufactured Setup – Toolkit, ‘Dick Johnson Is Dead’: Kirsten Johnson Made Cinema Magic Out of Embracing the Unknown, 35 Must-See New Movies to See This Fall Season, Sundance 2021: The 15 Best Movies of This Year’s Festival, Six Things We Learned from Nine Oscar Shortlists, Emerald Fennell Recalls Male Execs’ Reaction to ‘Promising Young Woman’ Pitch: ‘She’s a Psycho’. It’d be impossible to talk about Euphoria without acknowledging its genre-spanning soundtrack, which fills nearly every crevice of the show’s 56-minute run time; each episode features an average of 15 to 20 songs. That approach fits both the style of “Euphoria” and how Labrinth usually works. It was really fun because with pop it’s like, ‘Let’s get the chorus. Usually at 11 a.m. everyday, I'm kind of waiting for my daily Euphoria trauma. Instead, the music of “Euphoria” built its own cultural cachet largely because of the organic way it weaves through the series. Euphoria is an American teen drama television series created and written by Sam Levinson for HBO.It is loosely based on the Israeli television miniseries of the same name created by Ron Leshem and Daphna Levin. Nominee: Euphoria I'm really excited about five because pretty much that whole episode, outside of maybe one or two artists, are all female artists. 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